Tag Archives: photography

Stop 43

I like taking photos. It’s probable that you, whoever you are, also take photos, either with a camera or cell phone. It’s just as probable that you upload them to the internet. To Flickr, Facebook, Picasa, Instagram and other photo sharing sites. We all own our own photos. If your photo was taken after 1978, it’s automatically copyrighted for as long as you live and then a further 70 years after they put you in the ground. Which, incidentally, I hope is many, many years from now. So, in summary, the photos we take are our property. Except, they’re potentially not. Not anymore. Not in the UK.

I took the photo below, and shared it on Flickr. Now I’m sharing it on my blog. Want to use it? Fine. I’m pretty easy going. All my photos are licensed on Creative Commons, and anyone can use my photos for non-commercial purposes for free. Want to use it for a commercial purpose? I’ll probably be ok with that. Get in touch, and we’ll agree a price, providing I’m happy with who is using it and how. Actually, the image above perhaps isn’t the best example, because it’s a photo of artwork by Damian Hirst, and he might have copyright issues if I sold it commercially!

What if someone uses my image for commercial purposes without telling me? Well, that’s called theft and I will seek recompense, and plenty of it. Far more recompense than had they just asked in the first place. But here’s the problem. There’s every chance that in future I might find myself unable to negotiate or demand a fee or damages. I may not even be able to get them to stop using the image. Why? Because, under the UK Enterprise and Regulatory Reform Act, they may well be using the image legally. Yes, it is still my image, yes it is still in copyright. But no, copyright doesn’t actually mean anything.

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Here’s the issue*. Random people out there in the world do have a habit of using images that don’t belong to them. Let’s say a chap called John Doe decides to start a blog. He writes a half dozen posts, and then gives up. In one of those posts he used your photo. Can John Doe be contacted? Nope, he used a pseudonym and never did get round to putting contact info on his blog. Anyway, along comes some ad company, and they see that photo on his blog. They like it. They try to contact him and, of course, fail. At that point, the photo is considered ‘orphaned’. And now that it’s orphaned, the ad company can use it. They have to pay a fee to a Collective Licensing Organisation. But you, the owner of the photo, get nothing.

Your photos can become orphaned almost instantly. The moment you upload them to the internet, they are exposed. If one is used under the new Act, then it’s your job to find that out and to claim a fee from the Collective Licensing body. And as I understand it,  they’ll tell you what you get paid. And if you don’t like it, then tough. And if you don’t want it used in the way it is being used, there’s a big question mark over whether you can put a stop to it. This is a genuine and serious issue. I know for a fact that dozens of my images have been used across dozens of sites on the internet. These are just the ones I’ve found or come across and therefore know about. Some of them credit me, many don’t. Some asked my permission (technically unnecessary), many didn’t.

As a photographer, this irks me, to put it mildly, on three main counts. Firstly, as a point of principal. If the photo isn’t yours and can’t be purchased from the owner, then don’t use it. If it’s a digital image, then it’s clearly been taken after 1978 and is therefore still in copyright – fact. Secondly, I may well not want a particular organisation to use any of my photos. For example, if the English Defence League, or other extremist group, found a photo of a flag that I’ve taken and decided they liked it, I would reject their offer. Thirdly, every time an orphaned photo is bought through Collective Licensing, potentially two photographers are robbed of their rightful dues. The guy or gal who took the photo. And the photographer of an alternative image that would otherwise have been purchased.

A Tempest Indeed

*There are actually many issues. I’m not going to pretend I’ve gone into all of them, let alone understand all of them. I still have many unanswered questions myself. Many of those questions, it appears, currently have no answers. Some parts of the Enterprise and Regulatory Reform Act are poorly defined, and we will have to wait and see how it works. How will this work internationally? If an orphaned image belongs to an American, for example? How on earth would any one know the nationality of a photographer? There are positive benefits to the bill too, though,  in that cultural entities such as museums and libraries need legislation in order to allow them to preserve important photos.

But it seems to me to be another shoddy piece of legislation, part of the Digital Economy Act, that’s been rashly thought up by people with little concern for their constituents and maximum concern for big business. It’s been rushed through parliament without proper debate and it’s just yet another sorry chapter of government and business not understanding what the digital age is or means. There’s plenty of research you can do if you’re interested. There is an organised protest group called Stop 43 (Clause 43 is the relevant part of the Act), and articles on the BBC and New Statesman. The Act has been referred to as the Instagram Act.

I do wonder how the photo above stands in copyright law. Of course, I did not take it. That’s me in the photo. It was taken prior to 1978. But I scanned it, with permission, and processed it through Photoshop, creating a new and discernibly different image.

 

 

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Vintage Photography

I like taking photos. Our world is so thoroughly photographed today, that we are recording history in real time in a way that has never happened before. Not that this means anything as far as how history will be written or viewed. I mean, look at 9/11 and the JFK assassination. They were caught on film, which is supposed not to lie, and yet we have more conspiracy theories about them than any other murder or terrorist attack.

There’s a type of photo that I rarely capture. A lot of my photography is so structured or thought out or overly framed. I’d like to take more photos of a spontaneous nature. To capture a moment. A photo that will carry emotion, meaning a sense of occasion  with it down the years.  Where am I heading with this? I’ve found an absolutely fabulous blog called Vintage Everyday. It’s full of fascinating photography from down the ages. The image below is from a concentration camp, shortly after liberation. In colour. Quite rare.

There’s a quality to many of the photos posted in the blog that is impossible today. Has digital photography become too perfect? How much further will the technology advance? Enough so that one day in the distant future our digital photos taken today will look as old as they are?

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RIP Jessops

Poor Jessops. Britain’s largest camera retailer has gone to the wall. It’s not surprising. They’ve been in trouble for years. More importantly, they’ve been in trouble because their business model failed. But rather than try something different, Jessops stuck solidly to their failing business model. They borrowed more money to keep it going a bit longer. But the inevitable had to happen sooner or later. If you’re tumbling towards a cliff, it’s generally advisable to change direction, rather than try to extend the cliff.

There was a place for a camera retailer on the high street. But they need a business model online too. Things that I noticed were almost completely absent for Jessops. Photographs. I’d go into their shops, which sells just one things. Cameras. All there was, was bland decor. Few, if any, photos. Those that were there were all very blah. No inspiration. No life. Lomography is a growing market, and has been for a while. Where were the Lomo cameras and films in Jessops? I liked looking at the cameras. In their secure glass cases. I’d have loved to have been able to hold one, without waiting for an assistant to finish with someone else and unlock the cabinet for me. And hover over me. The phone market is big into cameras. Why not have mobile phone concessions in store?

Jessops online was just as bad. Worse, in fact. I don’t ever remember seeing a Jessops advert. You have to specifically go to Jessops website to find them. Why not do a deal with Flickr and give every camera buyer a three or twelve month Pro membership? Set it up, with their first Group already added – the Jessops community. Why not have a review blog, that gives simple, easy to understand product reviews. On cameras, on software, on anything photography related. Have a proper online presence to spread the word. A Community Manager – my dream job. On Twitter and Facebook. Engage with existing customers. Reach out to new ones. Organised photowalks. Find the customer…..don’t just wait to see if they happen to wander in your store. Inform your customer….help them find the camera they want. Sell to the customer…..you’re half way there if you’ve got the first two points right.

Back into the shop. Bring the online site into the shop. Have cameras displayed next to screens, where customers can see samples of their output. Where they can read the review.  Make the company cool. Give the brand credibility. Make the company visible. Help the customer. Keep the customer. None of this is particularly difficult or expensive. Indeed, much of it was pretty obvious. Except to Jessops, it seems. For them, it’s now all too late. RIP Jessops. There are plenty more famous high street names who will keep you company in shop heaven soon…

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Update 15/01/13: I mentioned Lomography. They have a new product out. It’c cool, trendy and interesting. It is a little niche too. But it is a growing market, and they regularly release new products. Best of all, the profit margins have got to be good, there’s a ton of products and because it is film you get plenty of repeat footfall. People coming back to buy film, get processing done,  stock up on accessories. Footfall that never ventured into Jessops.

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Instabuck

I’ve posted a few times about how much I love Instagram. You can see all my snaps on the (recently released) Instagram profile page. Unless you’re not one of my ‘followers’. In which case you can’t. I set my account to private, to combat spam. But all is not lost. I’ve long been sending all my Instagram shots to a Tumblr page. Instagram is a great service. And I won’t be using it any more. Indeed, I may well have deleted my account come January 16th. Assuming the Mayan Apocalypse doesn’t delete it for me in a few days time. Why? The new TOS, which have been getting press here, here and here. In fact, this has been getting press everywhere today. And not good press.

I usually go with the flow over these sorts of things. And I’m pretty easy going with the use of my photos. Sharing is caring. All my photos on Flickr are Creative Common licensed. With the exception of commercial use. But it seems that that is exactly what Instagram wants to do with my photos. Sell them, and pocket the cash. All of it.

To help us deliver interesting paid or sponsored content or promotions, you agree that a business or other entity may pay us to display your username, likeness, photos (along with any associated metadata), and/or actions you take, in connection with paid or sponsored content or promotions, without any compensation to you.

The section before this entry contains a section stating, ‘…except that you can control who can view certain of your Content and activities on the Service as described in the Service’s Privacy Policy…’ . On the service? Does that mean I can’t control who can see my content if it is used outside of the service? Given that they have already stated they can use a photo (perhaps of myself or a family member) of mine, with the meta data (the GPS co-ordinates of my home?) along with my user name (which is my name), even if I have made the photo ‘private’, then I’m not sure they have a privacy policy.

There are a couple of caveats to this. Firstly, my interpretation could be wrong. Secondly, the TOS may be changed in response to the criticism the company is receiving. There is uproar. How many riots does Instagram want to be at the centre of? I wouldn’t be surprised if it is changed. Could it have been an accident? Facebook own Instagram. I’m sure their lawyers would have been involved. And they’ve been down this road enough times to know better.

This is sad stuff. That such a great photo sharing site should shoot itself in the foot so spectacularly. I’m minded to think that if these terms upset me, then they’ve screwed up big time. Like I’ve said, in this post and many posts before this, I’m really easy going about how my photography is used. Don’t we all dream of shooting a momentous shot? One that captures widespread attention? It happens to plenty of people. So how can Instagram fix it? Well, they could tear those TOS up and start again, and use some common sense this time. But I get the service has to earn money. If they feel this is the only route, then perhaps they should also offer a premium paid for service for those who want to opt out.

They’ve done this at a bad time in other ways. Flickr have just released a new app of their own, and it is freaking fantastic. Yahoo have been investing in Flickr lately, and it’s paying off. And their terms are wholly more acceptable. They won’t use your image without your consent. Full stop. I’m seriously bummed that the app is iPhone only. It’s the first time in my nearly two years as an Android Guy that I’ve wanted an iPhone. I’m sure it’ll get to my Galaxy S2 before too long though. But, for now, I’m stopping uploading to Instagram. I’m not going to invest time into a service that I might be about to ditch. I’d rather use Facebook, if I have to. Ironic, I know – but Facebook TOS appear to be a little more friendly.

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The Good, The Bad and The Brilliant

One is, usually, one’s harshest critic. With me, this would be my photography. I often feel I didn’t get a killer shot when reviewing my snaps. I surf Flickr a lot and see what a real killer shot is like. They usually look better than mine. Take these photos for example:

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That photo up there ^, it’s a nice enough shot, taken inside Salisbury Cathedral. It’s a fairly decent example of how the Fuji X-S1 copes in low light too. Then I turned my camera onto a water pool, just across from the wooden carving above. The reflections were enchanting, especially of the stained glass windows.

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Are either of those two a killer photo? Nope. The shot below is, though. It’s a wonderful shot. I love it. I wish it were mine. But alas, it belongs to someone called Ben Birchall and was featured on the Guardian newspaper. Now why didn’t I see that shot. Shucks. It sums up my limitations. I get by with quantity – every now and then I’ll get a few decent photos. But I need to spend more time letting my eye look for the killer shot. Because all too often I miss it, even when it’s sat right in front of me.

 

In the unlikely event of Mr Birchall stumbling across my blog and discovering I’ve rather pilfered his image….I do apologise. But it’s perfect for my point, and such a great photo it seems a shame not to share it.

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