I am a very modern religionist. Tots up to date. When I go to church for nourishment, I go to the local in Westbourne. Very pretty it is, with lots of stained glass windows, as you’d expect in an old English church. People do often have their favourite parts of a church. Mine is upstairs, where Plates and Co serve a delicious three course meal for a very reasonable price. And it’s all very romanitcally lit as the sun streams in those stained glass panes. If it upsets you that such a lovely church has been converted into a restaurant – and it did upset some back in 2010 when it happened – then you probably don’t want to know that the downstairs became a Tesco Express convenience store.
A change is as good as a rest. So they say. So I have decided to change my theme. The old one had begun to bore me. Do you like? Or not like? I’m not 100% sure, but I rarely am when it comes to change. I’ll run with it for a while and see if I get used to it. There’s no sidebar or footer for widgets. Any widgets have to fit in a pull down section at the top. I’m not keen on pull down sections filled with junk. So the dynamic blogroll has gone. Along with my Twitter feed. Meh. Continue reading
The beach hut is a familiar sight along the sand and shingle beaches of seaside towns in the UK. The first beach huts were converted wheeled bathing machines, fisherman’s huts and sheds set up for the benefit of the working classes. Where might you find the first purpose built beach huts? Why, you’d find them here in Bournemouth. Continue reading
Perhaps the anonymous moniker of Mrs P is getting old and in need of a revamp. I liked the turn of phrase that came in Dana’s comment, a post or two ago. Mysterious P is a much better name. Here’s a photo that’s a suitable attachment to the name. Will it stick? Probably not. Mrs P is much easier to write. Continue reading
I regularly way over-process photos. I shouldn’t, because I really know better. But I do it anyway. Sometimes, it’s because the screen I’m using isn’t calibrated properly, and whilst the image looks great now, it won’t on any other device. Sometimes, it’s because the image is just a poor image, and a bit of over-processing seems at the time a great way to save it. Instead of delete it, which is what I probably should do. Sometimes, I’m just over enthusiastic, Sometimes, it’s just because I’m lazy and applying a not entirely appropriate preset is just quicker and Continue reading
It would be lovely to be able to jet off to Mexico City for short breaks on a regular basis. Alas, it’s too far and fares too expensive for that to be feasible. The next best thing? For those of us who call Bournemouth home, it’s Andalucia. Specifically, Malaga. A place Picasso once called home. With return flights between Continue reading
If you are hoping for a tale of drinking and debauchery in a traditional olde worlde pub, then I am going to disappoint you. Wrong type of spit and sawdust establishment. Instead, let me introduce you to a world that is altogether crazier that anything the depraved mind of the village alcoholic could ever dream up. The spit is Mudeford. The sawdust represents the wooden huts that have been stacked up along the sandy stretch of beach. The madness is the price that some people are prepared to fork out for one of these ramshackle buildings, which are only ever one big storm away from turning in a new British Atlantis.
When working out what sort of value for money these huts represent, I had a look at what you’d need to pay out for a property in the most expensive cities on plant earth. Just to give these huts a little perspective. At about £16,000 per square metre for a piece of Mudeford real estate, only Monaco appears to be more expensive. Given that they have no running water, nor any electricity (unless the owner has fitted some solar panels) they are even worse value when you consider that you wouldn’t use them all year round.
In the 1950s, Britain decided they needed some shiny new planes to deliver the country’s nuclear bombs to carefully chosen locations east of Berlin. Britain was still a world superpower of sorts. In the air, she was still the superpower. So in keeping wih that status, the decision was made to put in orders for three different aircraft. The Victor, the Valiant and the Vulcan. The V Force. At ridiculous expenses, hundreds of planes were built and put into the air just in time to coincide with the development of effective anti-aircraft missiles and the decision to house the nuclear deterrent inside submarines instead.
To understand why the decision was made at all, you’d do worse that watch the recent two part television series, Cold War Hot Jets – two hours of aviation history from a British perspective. One things that becomes quickly apparent – of the three types of bomber, there was one that represented the cutting edge of technology. It was the riskiest of the three projects. Ultimately, it was the most successful. Once anti-aircraft missiles had become an established and unmitigated threat, there was just one that was capable of switching from high altitude high speed flight, to speeding along just metres off of the ground, under the radar.
Luckily, it was also the most beautiful of the three planes. It was, of course, the Vulcan. If you’ve seen it in the flesh, you’ll never forget it. It’ll appear in silence. Then the noise from the four engines catches up. It won’t just deafen you. The ground will vibrate and numb your senses.Only the Concorde compares. Although Concorde had a slightly less deadly job to do. Not that a Vulcan was ever called upon to fulfil a nuclear raid. Indeed, for all the money spent on the V Force bombers, only one ever supplied an explosive delivery in anger.
Ironically, in 1981, the Argentines wanted to buy some Vulcans. The British government initially agreed to sell them a single bomber. A few months later, the Falkland Islands were invaded, and a Vulcan was duly sent to Argentina’s military forces. Albeit in a different manner to how they had originally planned to take delivery. One Vulcan and a fleet of refuelling aircraft flew from the UK to the Falklands, dropped some bombs on the runway and then returned home. It was the longest bombing raid in history until relatively recently, an there’s a documentary on YouTube that tells the story. Despite the successful sortie, the Vulcans were retired just a couple of years later.
There is just one Vulcan still flying these days, making appearances at airshows around the country. It is everyone’s favourite. Every year, there are fears that the Vulcan may not return next year. It is costly to keep airworthy, and it is becoming increasingly difficult to keep this 50 year old plane in the sky. But every year the money is found for another tour of air show duty. However, the end is now nigh, it seems. The owners have announced that this year is the final year of the Vulcan.
My home town of Bournemouth has one of the largest free air shows in Europe. I go every year. I pick my day carefully – which day does the Vulcan fly? I got a decent viewing point this year and snapped away with my camera at what was, possibly, the Vulcan’s final display over the golden sands of Bournemouth. Farewell old chap. We will miss you. Click here for the full photo set from last weekends show.
I’ve wanted to experiment with long exposure photography for ages. And ages. It’s a pretty simple process in principle. Apply a filter to your lens, set to bulb mode and shoot. Hopefully at the end of it, you’ll get a photo with surreal qualities. Maybe one could even describe them as magical. It’s that filter bit that’s been the stumbling block though. I’d tried a £20 cheap variable Polaroid filter last year, which produced dismal results. A decent filter with the stopping power to produce a photo worth publishing to Flickr is not cheap. Starting point is about £100. Which I don’t have.
But it set me thinking. Isn’t there a cheap and cheerful way to do this? Surely someone has improvised and created an alternative to Lee’s Big Stopper filter? It turns out, the answer to those questions is ‘yes’. And it’s a really, really cheap alternative to a professional lens. So I bought the key ingredients and got to work. There’s my set up in the photo below. One piece of welding glass from Amazon for the bargain price of £1.33, And two strong elastic bands. Which cost nothing because they came in our shopping delivery, holding the asparagus together.
My initial efforts at creating a worthy long exposure photograph did not go as well as hoped. I set up shop alongside a stream flowing through some nearby gardens. My camera will shoot up to a maximum of 30 seconds before you’re forced into bulb mode. And 30 seconds is not long enough. Nor can you really use bulb mode without a remote. Which I did not have. You can see the best result, below left.
But I was determined to make my welding glass contraption succeed, so I went home and ordered a generic corded remote from Amazon for £9 and change. With this essential addition to my kit, I went to one of the best locations for long exposure photography in the whole of Dorset, Old Harry Rocks. I perched my self four or four feet from the cliff top and had a second go. Alas, to say it was a windy day is something of an understatement. A few gusts caught me unaware and blew me five or six feet along the cliff. I backed off from the cliff face a little. A sensible precaution.
I persevered, but it was no use. I couldn’t hold my tripod and camera steady in the wind and the vibrations ruined the shot, which is below right. It looks out of focus, but it is not. That was just the wind blowing the camera about. But this attempt was still more successful than my next expedition. I chose the less breezy Boscombe pier as the location. I rode my bike out there, set everything up, cursed myself for leaving my memory card in my computer, packed everything away and returned home.
So. Fourth time lucky? This morning I got up nice and early, packed all my gear in my backpack, including the memory card, and walked down to Bournemouth Pier. The wind was light, the beach deserted and I had every I needed. I shot four or five exposures. I started with a 3 minutes exposure for the first photo, but settled on 5 minutes as the optimum exposure. The aperture of the lens was set to f5.6 and the ISO at 400. Finally I got a few decent results.
Straight out of the camera, there’s a very strong green cast to the photo. See below. That’s to be expected from a piece of welding glass that costs little more than a pound. It is possible to remove the cast in Photoshop (see the snap of Old Harry Rocks above) but you get a mixed bag of results. It works better with some photos than others. I knew before I even purchased the glass that these shots were going to look their best in black or white or with some creative post processing filters applied.
So anyway. I got back home, imported the photos into the latest shiny iteration of Adobe Lightroom (v6.0 was released just a few days ago) and got to work. Even if I say so myself, I’m pretty pleased with the results. It’s been quite a bit of work to finally get some decent long exposure snaps, but the work has paid off. A bit of cropping here, a bit of straightening there. I played with the shadow, highlights and contrast. I played around with a few filters. And I made this….
And a few more variations of these two photos, which you can see on Flickr if you click here. These photos will win me no prizes, but I’ve had a lot of fun making them. And having conquered the learning curve, I’ll be able to produce some more long exposure photos in the future with a bit less fuss. Perhaps I’ll try Old Harry Rocks again on a slightly calmer day.
On the 12th March, one hundred years ago, a young fellow from Bournemouth, Cecil Noble, rushed head first into German machine gun fire to cut through a mass of wire that was holding up his battalion. Noble by name, noble by nature. He succeeded, and so did his battalion when they eventually got to Jerry’s trenches. Cecil was awarded the Victoria Cross for his valour in the face of the enemy. Like most recipients of the highest military award that this country has to offer, he didn’t get to see his medal. His comrade that day, who accompanied him to the wire and was also awarded the VC, was more fortunate and lived to tell the tale. The photo below is of Cecil. And a Victoria Cross.
Bournemouth provided the British Army of World War 1 with two men of sufficient calibre to earn themselves a Victoria Cross. These aren’t medals that are handed out willy nilly. To date, 1358 Victoria Crosses have been awarded to 1355 men. The numbers don’t add up, obviously. Three men share the distinction of receiving the award twice. One can only assume that their balls must have been bigger and brassier than the ones shot at them by enemy cannon.
There won’t be too many further recipients in the future. One would hope that we’ll fight fewer wars in the years to come, thereby naturally limiting the opportunities to ‘win’ one. But regardless, the metal used to make the medals is running out. The bronze that is used to make the medals comes from the cascabels (no, I didn’t really know what a cascabel is either) of a pair of Russian cannon captured during the Crimean war. Although upon closer inspection, like so many things, they turned out to be made in China.
Whatever the origin of the cannon, there’s just about enough metal left for another 80 to 85 Victoria Crosses. What next? If I were a betting man, my money would be on a brand new medal, the Elizabeth Cross. Or perhaps, just to wind up the Illuminati conspiracy theorists, the Elizabeth ‘All Seeing Eye’ Triangle. It’s just a thought…
But let’s get back to the point of this post. As part of the centenary commemorations of World War 1, a scheme was launched to mark the bravery of each and every Victoria Cross winner from the war. A commemorative paving slab will be laid in the birthplace of each man, exactly one hundred years from the date of their act of bravery. For most, like Mr Noble, it will also mark a century since their untimely deaths. Cecil was but 23 years of age. That’s his paving slab above.
The slab was laid in the ground next to the Bournemouth War Memorial, an impressive white structure in Bournemouth’s Gardens. Next to the small river Bourne that gives the town it’s name. I couldn’t find it at first. I rather expected it to be laid inside the memorial. It turned out to have been discreetly placed outside, in the corner to left of the steps. Just in case you should ever want to pop along to take a look.
The stretch of lawn leading from the town centre up to the memorial has plenty of other slabs to take note of too. On one side are memorials of a happier nature, such as one to mark the birth of Price Andrew. Each has a tree planted with it to. On the other side are memorials of a more sombre kind. There’s a recent addition, marking the anniversary of the liberation of Auschwitz. I took a few more snaps of the memorial and surroundings which can be seen on Flickr by clicking here. You might wonder where lies the paving slab commemorating the second Bournemouth soldier to have received the VC? It doesn’t. Yet. His act of valour occurred in 1918, so we will have to wait 3 more years before his slab is set in the ground.
The Bournemouth Gardens Fire Show seems to be an annual event now. I missed it last year. But I was there this year, armed with my Fuji X-M1 to test its ability to shoot a little video. It’s not the most entertaining video you’ll ever see. I wanted to see how the camera performed in very low light. Fuji doesn’t really shout about the X-M1s video capabilities too much. It’s not its strongest suit. But I think it did ok.
The fire show itself is a rather bizarre event. Surreal even. It comes under the umbrella of the Bournemouth Arts Week something or other. I took a few photos too. You can have a look at those on Flickr by clicking here.
The Bournemouth Air Festival has been and gone once more. As ever, it was a fantastic show. Photographically, this year’s show was not the best for me. Firstly, I haven’t yet received my free telephoto lens from Fuji. And to match the shots I achieved last year with the Fuji X-S1, I really needed a telephoto lens. Secondly, the weather. It wasn’t cold. It didn’t rain. But it was grey. Which always makes photography a little more challenging. And again, I needed blue skies to match what I achieved last year. So. Maybe next year…
But I did get some snaps. The one below for starters. The others are in a single album with all the photos I’ve ever taken at the Bournemouth Festival, from 2011 thru to 2014. click here. This year’s are at the bottom.