The Fuji X-T20 has a number of film simulations built in, as plenty of cameras do these days. One of them is Acros, reproducing a well loved film for the digital age. When I was reading comparisons between the X-T20 and the new budget Fuji, the X-T100, a recurrent feature of the reviews was disappointment that the Acros simulation was missing from the X-T100. I’ll be honest – I hadn’t heard of Acros before. But seeing as how many fans it has, it seemed silly not to shoot off a few frames with it. Which was a worthwhile exercise. I really like it. I’ll be using it a lot over the coming years, I’m sure.
I have no unboxing video for you. I don’t get the fad for unboxing videos. I know what a box looks like. I know how to open a box. Can we just see the product, por favor? I’ve also no intention of producing a series of tutorial videos. They’ve already been done, and done better than I could do. If you’re interested in learning how to get started with an X-T20, I highly recommend watching the relevant videos on Omar Gonzalez’ YouTube channel. I watched a few just before my camera arrived, and they were a very helpful introduction.
I couldn’t help myself. My head had been turned by the new entry level Fuji XT100, and my plotting started. I thought I could save a bit of money having a body only model brought back from the US at Christmas. But this plan had four key drawbacks. A body only model left me a lens short if Mrs P wanted to use my old Fuji X-M1. The savings from buying the camera in the US weren’t so grand. I’d have to wait till just past Christmas. And this wasn’t really the camera that I wanted.
I’m pretty happy with the photo gear I’ve got. I have no complaints. The Fuji XM-1 is a great camera, I have fantastic lenses and two other good one. A decent camera bag, a Joby Gorillapod tripod and a decent sized bag to carry all of it, or most of it, around with me. But I am but human. A male human at that. I’m pretty sure that this is an inbuilt feature of the Y chromosome. No sooner have I got the latest shiny new thing than I see other shiny new things. And I start making lists. List making is an X chromosome thing. But it’s the Y chromosome that makes me put unaffordable technological items on it.
But there’s an awful lot of cool gear out there that supplements what I have, rather than being unnecessary replacements for perfectly good gear. I have an Amazon wishlist which regularly gets added to. Most of the stuff I add to a wish list is never bought. I guess that’s why they call it a wish-list rather than a gonna-get-it-soon list. The former is also easier to say. But anyway, I thought I’d share my wishlist. Why not. I have little else to share at the moment.
I would love to do some long exposure photography. I’ve created a small gallery of some samples, to demonstrate the point. I live in the perfect place for some decent long exposure snaps, with the Jurassic Coast quite literally a ten minute walk away. At least than £50, including an adaptor for my camera, it’s not entirely out of reach price wise.
The best camera is the one you have with you. Which means, for me, that is usually my iPhone 6. How to breath new life into my iPhone camera? Well, four new lenses can but help, surely? A fisheye, wideangle and pair of macro lenses all available from a single clip on unit for less than £60. Bargain. Someone remind Santa that I’ve been very, very, very good this year. So far…
I’ve started shooting RAW+Jpg with my Fuji. It is an improvement on solely shooting in Jpg in every way but one. My 8gb memory card filled up quicker than my subjects could say ‘cheese’. For the first time in a decade, I found myself out in the field sifting through my days shots, deleting the poor ones to make room for new ones. Pft. That is a process best left when sat on my laptop. I’ve already gotten a new one. A Transcend 64gb with a decent read/write rating. Why Transcend? I wasn’t too fussy on brand. So long as it works. My last card was a Transcend and did just fine. My in-camera deleting days are over for at least another decade, I hope.
There is one small problem with my Fuji XF 60mm macro lens. That being, it isn’t really a macro lens. The magnification is but 0.5x, not the 1.0x (or better) you’d normally associate with a macro lens. What to do? Well, one option is Fuji’s own extension tube, which will ramp up the magnification to 0.75x. A significant improvement. The cost? Pence under £70.
The other option is to sell the Fuji lens and buy one of the newfangled Chinese made lenses. It’s not far off half the price at £250-ish and offers 4x the magnification. Tempting, tempting….
I remember the first time I saw someone holding a selfie stick. I near jumped over a wall I was so sure he was a terrorist. Ok, maybe I didn’t, be he did look odd, up to no good and quite frankly, a bit of a k*&b. I’ve been mocking selfie stick toting photographers ever since. Until I wondered what sort of photos might I be able to get with one of these. And now I find I want one. They are only £12, after all. What have I got to lose? Yes, I know…my dignity. But apart from that…
I keep meaning to buy some. They aren’t expensive. £5 and upwards. Prints from a local shop are just a few pounds for a dozen 7×5″ snaps. They’d look nice hanging on walls around the house. One day I’ll get round to it.
Some would say this is an essential piece of kit for long exposure photography. I say, how can a cable and button cost £31?! What is the profit margin on this bit of plastic? Must be enormous. It’s almost as expensive as the Cokin filters. I’ll probably just be real careful and use the timer function on the camera instead.
What’s the point of having a wishlist if there isn’t at least one fanciful, completely financially inappropriate item on it? There’s no point, I tell you. None at all. I give to you the king of the Fuji X cameras, the XT-1. The graphite version, which is the more expensive choice. But hey, seeing as I am years away from one of these babies, I might as well dream the best dream…
Ok, so I have a camera that I like the look and fell of, admire the sensible menu layout and enjoy using. But the proof in is the pudding. What sort of image quality have I gotten for my money? It must be said, this review is not solely about the camera but also the 16mm – 50mm kit lens that comes with it. I would expect better results from the X-M1 when I have a better and more expensive lens attached to it.
I won’t lie. Some of the images below have been through post processing in Lightroom. But I have selected images which have had minimal work done on the them. Perhaps a little sharpening, cropping or contrast adjustment. No filters or presets.
This isn’t meant to be a full review. There are many websites and blogs on the internet with experts who have the time and knowledge to do a far better job of that than I could. This are just some of my observations, with a few samples to demonstrate my point. You can see all the images below in full size on Flickr, although with a load more photos in an album titled First Impressions.
The camera has a big fat APS-C sensor, so low light shouldn’t be a barrier to good photographs. The sensor has gotten rave reviews in the photography press, with favourable comparisons to full frame DSLRs. I’ve been quite impressed so far. It’s nice to see a decent level of detail from a handheld shot with some very contrasty scenes.
It’s perfectly possible to get some great quality photos at night from even the cheapest of cameras. Mount it on a tripod, set the ISO to 100, give it a decently long exposure and hope that nothing, absolutely nothing, moves. Not a millimetre. The real trick is getting a good shot when things are moving and when you have the camera betwixt your fingers.
The kit lens supplied with the camera is not a macro lens. Nor does it attempt to perform like one. So the results do reflect that. However, it finds it easier to focus on nearby subjects that the Olumpus E-PL1. And like the Olympus, I find the best way to get a shot is to move the lens back and zoom in, rather than get the lens as close to the subject as possible. Alas, there is some colour smearing to be seen.
Fuji are famous for producing great colours and the X-M1 is no exception. It must be said that I’ve not been fortunate with the weather in the last month, and most of my shots have been underneath grey, wet skies. Which doesn’t help. But still. I’m pleased with the vibrant hues and well managed saturation. Although I have yet to explore the various colour settings, such as Velvia, which produce nicely balanced shots in daylight.
That big sensor makes it much easier to throw the background out of focus. Of course, the closer you are to the subject, the easier it is. But I no longer need to be inches away. What I really want for some creative bokeh photography though, is the XF 35mm f1.4 lens. One day, one day…
This is an area where the Fuji has really excelled. I’ve had an awful lot of cameras come through my hands that left me disappointed when the shot was a difficult scene with a lot of contrasting light. No details in the shadows. Any light areas blown out. The photo below isn’t a great photo by any stretch of the imagination. But you can see details in the shadows and blue in the skies. Which is neat.